Noise Boys from Dublin Active; 1978 –\u00a01979 Style; Rock Line up; Vocals & Saxophone; Donal Broughan (1978 – 1979) R.I.P. Vocals; Pete Bowers (1979) Guitar; Damien Roe Guitar; Paul O’Raghallaigh (1978 – 1979) Guitar; Jimmy Warren (1979) Keyboards; Tim McStay Keyboards (1978 – 1979) Saxaphone; Eamon Murray Saxaphone (1979) Bass; Gary Eglington Drums; Brian Curran (Bun) (1978 – 1979) Drums; Johnny Bonnie Drums (1979) only for a couple of gigs Drums; Ray Ellis Drums (1979)<\/p>\n\n\n\n
Badge supplied by Tim McStay. The Noise Boys were formed out of the ashes of two earlier Dublin rock bands, the Arthur Phybes Band & Toronto ’69. Brian & Gary from Arthur Phybes, Tim & Damien from Toronto ’69. Donal was a student at UCD and played a leading role in their production of the Who’s “Tommy” musical. Paul was formerly in Harry & The Tallmen, playing extensively in the U.S.A. The Noise Boys were the fist band to play a gig at the now legendary Dandelion Market in Dublin, the Resistors would later play the same venue. But I think the band would agree that the highlight of their brief career was a support slot with Ian Dury & The Blockheads at the Olympic Ballroom in Dublin. Former “Viper” Ray Ellis also played drums with the Noise Boys for a short period, Ray was in the original “Vipers” line up playing guitar.<\/p>\n\n\n\n
They recorded a demo that received extensive air play on Radio Dublin, resulting in the band coming second in a listeners poll.<\/p>\n\n\n\n
Their set consisted mainly of Tim McStay originals supplemented by cover version of Tom Petty, The Tubes & J. Geils Band. <\/p>\n\n\n\n
Paul, Tim and Brian would later all be in the Resistors.<\/p>\n\n\n\n
Wexford 1979 All the photo's (above) were taken by Sandra Boyd, check out Johnny Bonnie on the drums.<br \/><\/code><\/pre>\n\n\n\n
Johnny Bonnie<\/strong> Just after the Mooks, I don\u2019t remember how it happened but I was asked to stand in for a few gigs with them, it was a big deal for me at the time. Wow that’s me, talking about going back in time. I have always remembered doing these gigs in 1979. I was out of my depth with these guys, but they asked me and I did them and it is great to see photo’s of that gig now. <\/p>\n\n\n\n
L-R Gary, Damien, Brian, Paul, Tim, front Donal.<\/figcaption><\/figure><\/div>\n\n\n\n
Picture supplied by Tim McStay.<\/p>\n\n\n\n
Gig Guide<\/strong>
00\/11\/1978 RTC, Galway. This was the Noise Boys first gig, while doing a cover of the “Tubes” “White Punks On Dope” the audience were showered with “Cocaine” (flour), according to “Gary” this lead to the band being banned from playing the college again.
00\/11\/1978 Dara Cinema, Naas. According to a report in “Hot Press”, this gig was cut short, (the reason is not known), this lead to the fans rioting.
01\/12\/1978 El Ruedo, Carlow
12\/12\/1978 Olympic Ballroom, Dublin supporting Ian Dury & The Blockheads.
21\/03\/1979 Abbey Inn, Tralee
22\/03\/1979 Abbey Inn, Tralee
21\/04\/1979 Dandelion Market, Dublin. This was the first gig held at the market, it is believed that the Noise Boys got this gig because Tim & John Fisher were friends. John Fisher was the promoter of the Dandelion Market gigs. The band would play the venue again as the Resistors. Resistors<\/strong>
Ireland 1979 – 1983 Line up;
Peter McEvoy Vocals
Paul O’Reilly Guitar
Tim McStay Keyboards
Valentine Bass
Brian Curran (Bun) Drums<\/p>\n\n\n\n
Picture supplied by Bert Versey<\/p>\n\n\n\n
The Resistors in 1982 Tim McStay and Paul O’Reilly We had just released a single “Steal My Love” produced by the one and only Phil Lynott – a special few days in Lombard Studios He mixed it in Abbey Road afterwards<\/p>\n\n\n\n<\/figure>\n\n\n\n
06\/10\/1979 Dandelion Market, Dublin
20\/10\/1979 Dandelion Market, Dublin
07\/01\/1980 Toners, Dublin
10\/01\/1980 Junior Common Room, Trinity College, Dublin lunchtime
14\/01\/1980 Toners, Dublin
21\/01\/1980 Toners, Dublin
28\/01\/1980 Toners, Dublin
05\/02\/1980 Summit Inn, Howth
06\/02\/1980 Noggin Inn
08\/02\/1980 Pat Berney’s, Kilculen
10\/02\/1980 Sportsman’s Inn, Dublin
11\/02\/1980 Toners, Dublin
16\/02\/1980 University College Dublin
17\/02\/1980 Sportsmans Inn, Dublin
18\/02\/1980 Toners, Dublin
25\/02\/1980 Toners, Dublin
02\/03\/1980 Sportsmans Inn, Dublin
09\/03\/1980 Sportsmans Inn, Dublin
10\/03\/1980 Toners, Dublin with The Epidemix Joey Mahers, Drogheda late Feb early March
The Resistors arrived in the luxurious surroundings of downtown Drogheda for the first time in their tiring touring existence, and made damn sure that it wouldn’t be the last. To the majority of people they were totally unknown quantity \u2013 with the exception, perhaps, of the “Just For Kicks” track, and then that was slightly dubious \u2013 but that didn’t prohibit them from applying, with consummate ease, the releasing fluid to rusted knee joints and ankle bones. But it was a touch and go situation.
To begin with amiable Peter McEvoy pranced about like a surrogate Bob Geldof, annoying people with his mid song raps concerning teenage love, fear and loathing in London etc. He gradually overcame this by stamping his own particular jocular brand of personality on proceedings. His singing was at times flat, and the lyrics he sung even flatter, but as time, songs, and drink literally passed, it didn’t really matter.
The rest of the band \u2013 Tim McStay (keyboards), Paul O’Raghallaigh (guitar), Valentine (bass) Curran (drums) \u2013 were crisp, competent and clean, with no dirty edges, and the songs were short, sharp, sometimes sweet, sometimes sour, but never the same. No non originals were featured, which in itself is a healthy sign of self – confidence, all songs being in the alluring pop\/bop\/rock area, which just begs comparisons with others. But although Rats and Costello over and undertones appear, they do have something verified by “Takeaway Love”, and “Standing In The Shoes That I Once Wore” in particular.
The Resistors, on first impressions, are a good, but not exceptional band. Whether they will ever attain that standard is debatable, (I think June would disagree), but it would be one argument I’d be prepared to lose quite gracefully.
Hot Press Review Tony Clayton Lea<\/strong><\/p>\n\n\n\n
04\/05\/1980 Sportsmans Inn, Dublin with Stepaside
07\/05\/1980 Noggin Inn, Dublin
11\/05\/1980 Sportsmans Inn, Dublin with Stepaside
13\/05\/1980 Sportsmans Inn, Dublin
14\/05\/1980 Noggin Inn, Dublin
16\/05\/1980 New Park Comprehensive, Blackrock
17\/05\/1980 McGonagle’s, Dublin
18\/05\/1980 Crofton Airport Hotel, Dublin
21\/05\/1980 Noggin Inn, Dublin
25\/05\/1980 Crofton Airport Hotel, Dublin with Muff Divers
28\/05\/1980 Noggin Inn, Dublin
02\/06\/1980 Crofton Airport Hotel, Dublin with The Muff Divers<\/p>\n\n\n\n<\/figure>\n\n\n\n
The resistors project june 80? Neil McCormack Irelands answer to the Lookalikes?<\/p>\n\n\n\n
The Resistors are a modern pop group, one of the new dance bands that appeal to the ear and the feet through a melodic reference of sixties beat groups, 70\u2019s glamour and the Costello\/Jackson\/nameless hordes of reggae tinged new wave pop. They aren\u2019t trying to take any worlds apart, their musical hopes are pinned firmly on the bedroom walls of teenage girls.
This is no contrived exhibition of manipulation, however. The Resistors are still experiencing growing pains, still pumping away with the pizzaz and good humour of the true believer trying to get it right. My ears were buzzing painfully at first, the music vastly over loud, the vocals splitting my head, but even from the beginning the melodies managed to somehow cut through. Several songs into the set the sound balanced out and a couple of semi reggae songs \u201cTake Me Away\u201d and \u201cEnd Of The Line\u201d pointed the group in the right direction. The greater spaciousness allowed the individual instruments to show through, highlighting a sometimes particularly poppy organ and a sharp disjointed guitar.
Peter McEvoy\u2019s vocals are sometimes uncomfortably reminiscent of Geldof\u2019s nasal whine. He cuts a strange figure dressed in Hollywood pop star pink straights and white jacket, his movements effeminate, somehow sly and lizard like, studiedly the centre of attention, but his undoubted stage presence clashes with his gauche \u201cEr Ya Dancin\u201d? comments.
The Resistors may aim to become radio sweethearts, but right now they are a friendly semi professional dance band, a night out on the town dressed in hook lines and harmonies, not quite addictive but very catchy. 04\/06\/1980 Noggin Inn, Dublin
09\/06\/1980 Crofton Airport Hotel, Dublin with Muff Divers
Would that the Resistors were a quintet of power \u2013 lusting, egotistical Dubliners intent on inflicting their talentless personages on a jaundiced business and a passive yielding audience. Then I could \u2013 bitch that I am \u2013 quite happily unsheathe my biro and plant it deeply in their pox \u2013ridden side (the pen is mightier than the Doc Marten).
But the Resistors do not qualify. They are different. They are perhaps the only Irish band about whom I have herd no bitching, who are known, respected, and liked as individuals throughout the music scene. The proverbial nice guys. No, the archetypal nice guys.
But if you sat down to list Ireland\u2019s \u201chigh profile\u201d Rock bands \u2013 the ones fulfilling Herculean gig schedules, releasing records, and utilizing a distinctive and cohesive logo\/poster campaign, I\u2019d give odds your list wouldn\u2019t include the Resistors. They have remained puzzlingly faceless during their ten odd months as a band, despite near \u2013 constant gigging, inclusion on Charlie McNally\u2019s \u201cJust For Kicks\u201d compilation, a demo tape featured frequently on both RTE and Pirate Radio, and a self issued maxi single. They are a band people know about without truly knowing.
Perhaps it is a bad time to try and redress that balance. The Resistors are off the road rehearsing a new drummer, gathering new material, and thinking about the future. The sales of \u201cJeannie\u201d, their single, have run their course. With no tour or record to plug, there is no obvious hook to hang this piece on. Barring, of course, their sheer likeability (that word is meant in total sincerity), and the twists in their own attitude which lurk on the periphery of it.
Initially the Resistors were overwhelmed by the novelty of being in a band \u2013 for some of them it was\/is their first properly functioning outfit \u2013 and their adrenalin flowed from the ease with which they met, united and still interrelate. Volcalist Peter McEvoy recounts; We sort of rushed into it, we were so delighted with what we had. It all just came out. We had ideas for songs and we wanted to get as much out initially as we could, and we didn\u2019t think that much about image or anything like that. We\u2019ve rethought since then and we\u2019re planning on approaching it in a different way, to put on a better show.
That initial burst of energy, the \u201cqueue of songs\u201d Peter later describes, was largely responsible for the vagueness of the Resistors\u2019 general position. Their abundant enthusiasm carried them through their myriad live performances, making them musically infectious, but it was too diversely deployed.
My own personal criticism of the band centred on their lyrics, primarily composed up to now by keyboards player Tim McStay. I found them somehow too mannered and self \u2013 conscious, tripping up the vitality of their music, especially framed by the coldness and formality of their studio recordings to date. Tim took my critique graciously, and without aggravation; \u201cIf there\u2019s a dispute about the lyrics, I think it probably revolves around not the individual construction of songs, but about the fact that we range from Teenage Dream songs to semi \u2013 political stuff. At this stage I\u2019ll accept if you don\u2019t think that the lyrics are all they should be, if that\u2019s what you think. But they\u2019re all part of our cleaning out process now\u201d.
The revamp\/rethink both Tim and Peter referred to has been going on since the departure of drummer Brian Curran forced them off the road a month or so ago. \u201cWe didn\u2019t get a chance to be self critical before. We were churning out songs and we bombarded the city with gigs\u201d Peter notes, and the Resistors have thus used their layoff for self assessment with the same vigor they previously used exclusively for writing songs and bashing them out on stage and on tape. Both liken the changeover to a shedding process, beginning with your own skin and winding up with your own skin, albeit a wholly different one.
\u201cWe have 110% confidence in our music, we don\u2019t worry about that\u201d, Tim says without boasting. \u201cAs far as we\u2019re concerned we\u2019ve already dropped ten or twelve songs that other bands would be proud to have in their sets. Whether that\u2019s right or wrong is up to other people to react to\u201d.
The addition of Eugene Levins to the rhythm section has added further creative energy to the Resistors, but this time the energies are being channelled and directed, and Peter reckons that \u201cWe\u2019re just beginning to find the Resistors sound now\u201d.
As both Peter and Tim refused to be drawn into a description of their new sound\/direction (\u201cIt\u2019ll be a surprise)\u201d. I wondered how they envisaged the band fitting into the local scene in the future. \u201cI don\u2019t know if were even going to stay in the local scene, \u201cPeter replies, \u201cWe don\u2019t just want to make a name for ourselves in Dublin. As soon as possible we want to get out there, but not in any big scene to get a contract\u201d. His words are not bloated with the vision of fast, big bucks that still seem to taint bands in post Rats Ireland. When Britain, the Continent and even America crop up as possible future touchdown points, they are mentioned solely as fun and challenging goals, and are not connected to the established ways of \u201cmaking it abroad\u201d for young Irish bands.
The Resistors are relatively free from the money\/contract scrambles because they have established their own record label and publishing company, though they are aware of the need for a large cash injection before they could become big in any international sense. But Tim states, \u201cWe don\u2019t think of it as a big deal\u201d and Peter adds, \u201cIt would help us a lot if we could get the sort of deal that would give us the money to finance our ideas..\u201d
The fact that the Resistors have been functioning outside the established environs of the local scene has given them a special security of sorts. \u201cI\u2019ll tell you this\u201d, Tim grins, \u201cthe scene here could drive you to petty crime! If we weren\u2019t so happy playing music \u2013 it really is a joy for us \u2013 you could be side tracked very easily. Because the actual financial rewards are zilch.
\u201cAlso, I don\u2019t find this country supportive. Like, we know we\u2019re a good band. But we don\u2019t have a huge following in Dublin because we haven\u2019t given people an orientation, something to latch onto\u201d.
A very large part of the Resistors \u201crethink\u201d involves the presentation of their material, and in finding ways to communicate it to new, untapped audiences. Above all else the Resistors have tempered their enthusiasm with realism; \u201cPeople generally don\u2019t want go out at night and be galvanized into action. They don\u2019t want to be pushed into too much of a reaction, they like bands to be nice and accessible. But with us, as far as we\u2019re concerned, we do want people to think\u201d Tim outlines. \u201cBut maybe they should only think if they put on our albums with a pair of headphones. If they come and see us then we should entertain them. We want them to dance, to have fun\u201d.
Where the tape of our conversation began with the Resistors plans to \u201cgive the punter a show, to give \u2018em more value for money\u201d, it ends with a discussion of subversive messages shrouded in fun Pop music. Hot Press Karl Tsigdinos<\/strong>14\/07\/1980 Jonah’s
17\/07\/1980 Magnet Bar, Dublin with The End
21\/07\/1980 Jonah’s
24\/07\/1980 Magnet Bar, Dublin with Teen Commandments
28\/07\/1980 Jonah’s
31\/07\/1980 Magnet Bar, Dublin
01\/08\/1980 Crofton Airport Hotel, Dublin
02\/08\/1980 St Mary’s Portlaoise
04\/08\/1980 El Ruedo, Carlow
06\/08\/1980 Mississippi Rooms, Bray
07\/08\/1980 Magnet Bar, Dublin <\/p>\n\n\n\n
Your Help is needed!<\/h3>\n\n\n\n
If you can help with any information, demo tapes or memorabilia on this band please get in touch, using the form below. 100<\/p>\n","protected":false},"excerpt":{"rendered":"
Noise Boys from Dublin Active; 1978 –\u00a01979Style; RockLine up;Vocals & Saxophone; Donal Broughan (1978 – 1979) R.I.P.Vocals; Pete Bowers (1979)Guitar; Damien RoeGuitar; Paul O’Raghallaigh (1978 – 1979)Guitar; Jimmy Warren (1979)Keyboards; Tim McStay Keyboards (1978 – 1979)Saxaphone; Eamon Murray Saxaphone (1979)Bass; Gary EglingtonDrums; Brian Curran (Bun) (1978 – 1979)Drums; Johnny Bonnie …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":12605,"menu_order":15,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_crdt_document":"","footnotes":""},"class_list":["post-2220","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ghostown1976.com\/index.php?rest_route=\/wp\/v2\/pages\/2220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ghostown1976.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ghostown1976.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ghostown1976.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ghostown1976.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2220"}],"version-history":[{"count":2,"href":"https:\/\/ghostown1976.com\/index.php?rest_route=\/wp\/v2\/pages\/2220\/revisions"}],"predecessor-version":[{"id":6847,"href":"https:\/\/ghostown1976.com\/index.php?rest_route=\/wp\/v2\/pages\/2220\/revisions\/6847"}],"up":[{"embeddable":true,"href":"https:\/\/ghostown1976.com\/index.php?rest_route=\/wp\/v2\/pages\/12605"}],"wp:attachment":[{"href":"https:\/\/ghostown1976.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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